by iambiguous » Wed Oct 02, 2019 5:05 pm
Miles Davis
Some day I'm gonna call me up on the phone, so when I answer, I can tell myself to shut up.
You might want to try that yourself.
I don't hold it against Dizzy Gillespie, you know, but if a guy wants to play a certain way, you work towards that. If he stops - he's full of crap, you know. I mean, I wouldn't do it, for no money, or for no place in the white man's world. Not just to make money, because then you don't have anything. You don't have as much money as whoever you're trying to ape; that's making money by being commercial. Then you don't have anything to give the world; so you're not important. You might as well be dead.
So, what's the scoop here?
Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.
Though not just white Americans I suspect.
My ego only needs a good rhythm section.
Clones probably.
At least one day out of the year all musicians should just put their instruments down, and give thanks to Duke Ellington.
Sir Duke?
I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
It's just weird hearing someone describe something that happened before you were even born.